Stravinsky and Primitivism Essay Example | Topics and Well Written Essays - 1500 words

Stravinsky and Primitivism - Essay Example Igor Fyodorovich Stravinsky was a Russian composer, pianist and also a conductor. He is considered to be one the most important composers during the early 20th century. His great reputation pushed through revolutionary boundaries of the musical design. His works and the works of other people from that period, mostly made use of traditional music forms. An example of this is the concerto Grosso, symphony and fugue (Bell 25). This was often to pay tribute to the form of music of the earlier masters like Tchaikovsky. Stravinsky’s professional life, which was at most in the 20th century, included many of the modern classical styles of music. Most composers who existed during his lifetime and those after were greatly influenced by him. He has the great desire to learn art, literature and life (Bell 25). Stravinsky was named as one of the truly epochal innovators of music. Aside from the technical innovations, which consisted of rhythm and harmony, the â€Å"changing face† of his compositional style was the most imperative feature of his work. It retained a distinctive and essential identity all the time. Primitivism is known in art as the style of works of self-trained artists who build up their talents in an imaginary manner, as in the paintings of Henri Rousseau and Grandma Moses. The phrase primitive has also been used to portray the style of time before American naive painters as Edward Hicks and has been practical to the art of the mixture of Italian and Netherland schools, which were formed before late 15th century. Recently, the term has incorporated the contemporary artists who research the earlier periods and the cultures far-off to their own like Robert Smithson and Joseph Beuys (Bell 25). Primitivism is a western art movement that has copied different visual forms from the non-western or the prehistoric peoples (Bell 25). The act of borrowing from primitive art has been very vital to the improvement of the modern art. For a long time, the de bate to get back to the basics and try to simplify things has been on. This looks at the advantages and disadvantages of simple verses a complicated life (Bell 25). The key elements of the overall primitivism as a basic function of art and development in and around the turn of the century will be articulated so as to be understood. Different art forms using principles of new developments and technologies In the modern society, with the new innovations, improved tools like computers have been incorporated in the basic art. Work of contemporary artists’ is evaluated using the computer and digital imagery by using a variety of formats. Many people are viewing these aspects of the modern technology to be complex and prefer to practice the earlier forms of art. The modern European and Euro American representational conventions are mostly inspired non western art and artifacts (Bell 25). This trend toward the greater use of technology as a creative tool will probably continue into the future, but with different forms (Bell 25). The reason behind this is due to the perspective that, individuals have on the technology that is now at hand. Technology has mostly made the work of the artists to be easy and simple, in terms of design and storage. Stravinsky’s use of motivic development, which is a repetition of different guises of musical figures throughout a composition, includes motivic development. This is essentially where notes are added or subtracted to a motif regardless of the consequent changes in metre. The same technique can be seen being used in the 16th century. For example, this is depicted in the music of Orlandus lassus, Carlo Gesualdo and Roe Cipriano (Hiller 56). Stravinsky maybe the only great composer, who managed to come up with a