William Shakespeare’s Hamlet Essay Example for Free

William Shakespe bes Hamlet look forThe tone of William Shakespeares Hamlet is set by the theme of madness and deception. The death of Hamlets father and the appearance of his subtlety to his son sets into motion a series of planets that end in leads to the near total destruction of the Danish court. No one proves to be safe from the pervasive nature of their induce guilt, real or imagine, as the characters f tout ensemble victim to Hamlets madness and the superpowers deception. R thus farge and fear, in particular, play central roles in the eventual conclusions of the play, as it provides a vehicle for the concepts of madness and deceit, as well as the bloody and darkening shadow that go upon Denmark itself. Even before he sees his fathers ghost among the castle w eachs, the seeds of suspicion and disgust have already grownup to fruition inwardly Hamlets mind. All that is enquireed to touch off this dark depression into full-blown legal go through is a spark. This sp ark comes in the tier of the deceased king, who gives voice to his sons suspicions.Its interesting, given the full blown form that Hamlets madness later takes, to consider that the conversation in the midst of father and ghost may have been a delusion. though its hard to write off the apparition itself as false, since it is the guards who graduation see the ghost move silently, the conversation between father and son is private and serves to provide justification for Hamlets later actions. In this way, its execut up to(p) that this conversation was simply the beginning point for Hamlets growing insanity. From this graduation act, the other events fall in quickly succession as though predicted.Death becomes a central almost fated result of the lethal mixture of Hamlets growing insanity and the guilt of the king There is a fine line between Hamlets realities and his delusions, as shown in the truth of his uncles deceit. Its principal(prenominal) that the tragedy of Hamlet beg ins and ends with death, providing a full-circle to the Kings murder of his brother and Hamlets own revenue and death. This is due in part to the larger significance of death both as an goal and a beginning. The tragedy of Hamlet itself begins and ends with death while the dead themselves provide witnesses.Its important to note that even as the death should be released by the chain of events, they are not allowed to truly rest. From Hamlets father the king, to Ophelias drowned memory, they are allowed little reprieve. Instead their deaths act as cataclysms for more tragedy and death. It is Ophelia and Poloniuss deaths that cause Laertes to meet his death at the end of Hamlets poison-tipped blade. Connected to the idea of revenge, the dead are fuel to the fire and darkness that seep into the minds and actions of all involved.Given the heavy presence of death, it is no wonder that the images of darkness and the adjective black is repeated end-to-end the book. It seems to be almost a n eternal night in Hamlets Denmark. There is no comfort. There is no hope, merely when sadness and death. Revenge, madness, and pride are connected in Hamlet through their common dark designs and darker endings. The need for revenge, which is bred from Hamlets encounter with his fathers ghost and eventually drives his madness, is not justice. This revenge is part duty, part self-preservation.Hamlet is lost in his peeledborn role in his family, with his mothers marriage to his uncle and the usurpation of the crown from Hamlets own head. In taking action against his uncle, Hamlet is defending the honor of his family and attempting to reclaim his own self which has been lost (I. iv. ll. 21). With the new developments, Denmark itself has become a prison (II. ii. ll. 241), and he is a prisoner to the awareness of his position and the growing need to exact revenge. It is important to make the distinction between the two, revenge and justice.Hamlet is seeking to right the wrong of his fathers death, at first through revelation just now then when this fails through violence. There is not the sense that Hamlet expects to flight of steps his own death in the process of exacting revenge but at the same succession there is the maddened sense of invincibility about him. He hopes to regain part of himself in destroying his uncle, however, he is already lost to his own fear and insanity. The concept of blood is important throughout the play, both in literal form in showing the brutality of Hamlets actions, and as representative of family.The physical presnece of blood is seen throughout the play in the deaths of even those who do end in bloodshed, like Ophelia. The final scene in Act V is the bloodiest, with the deaths of Laertes and Hamlet, the wounding of the King, and the poisoning of the nance. That final scene is also a good congressman of the power of blood, in the family sense, as Hamlet finally gains resolution in the deception of his uncle and his mothers m arriage and Laertes himself is able to avenge his sister and father.However, the concept of family goes much farther back in the play, to the very beginning with the first appearance of the dead king, still linked to his son and the tragedy of his blood, who himself is heard by Hamlet to invite for revenge. For Hamlet, the concept of blood is perhaps the most sensitive and the core root to his own madness. A foreman source of hurt pride for Hamlet is the marriage of his widowed mother to his uncle. In Hamlets eyes, not only has the new king usurped the role of his dead (murdered) brother but he has also taken everyplace his brothers position in the promote bed.This is not a difficult idea to understand Hamlet simply feels a strong loyalty to his father and to the idea of his own succession. However, Hamlets constant condemnation of the King and Queens marriage being incestuous shows more about Hamlet than his mother, who is constantly condemned by her son for the marriage. The king is Hamlets paternal uncle and therefore, unrelated to the Queen except through the marriage of his deceased brother, Hamlets uncle. Therefore there is no real incest going on between the newly married couple but rather a joining of past and present.Instead Hamlet is showing an intolerance to change, that when divorced of his uncles treachery, is not quite as damning. However, true to the form of the play, the marriage has been built upon the dark deeds of the King. Their marriage is a deceptive continuity, the Queen herself innocent to the dark deeds of the King. She is not wholly innocent, as she ignorantly believes in the innocence of the new King. While she obviously loves her son, in sensing and fearing Hamlets growing restlessness and insanity, she does in a manner move around away from him.Seeing only death in her sons countenance, it is understandable that she would ally herself with the calm presence of the new king. However, there is something of a resolution between mother and son. When the queen drinks the poison, the King has prepared for Hamlet, she joins the ranks of the innocent dead. exchangeable Ophelia, the Queen becomes a kind of martyr to the ulterior motives of royal ascendency and the revenge of her only son. Though the King may have had larger ideas of their marriage, the Queens tragedy seems to be a belief in hope.In remarrying she is hoping to continue her life and in Hamlet she sees hope for her love and affection, even as he rejects her. Without the morality of justice, Hamlets revenge fails to provide any resolution. While death is certainly an end and a repeated theme throughout the play, the persistence and skewed senses of madness prevent the carnage of the Danish court from representing an inviolable ending. Instead, there simply seems to be no one else to truly die, no one else to suffer within this narrative of tragedy.Hamlets madness had acted in a way to bring about the complete destruction of all hed ever held dear, it spent not only the resolve of its master but everything which it touched. The court of Denmark is withered but no longer a prison to Hamlet as he can depart in death as he was never able to in life. Though Hamlet finds his revenge and his end, he does not find true peace. Fueled by his own depression and anxiety, the injured pride of a fallen son, Hamlet instead creates a cycle of violence and fear which in the end even he falls prey to.